God Bless the Pretty Things

I like this album. I really do. Not because I want to like it, but I like it. It's electro-poppy and not in a bad 80s way. Okay, maybe it's a little reminiscent of the Pet Shop Boys and David Bowie, but they're cool, right? Sometimes? Anyway, how does it matter?

The lads broke all sales records in the UK, yet again. Second fastest selling album of all time in the UK (don't believe me, Google it). And they'd do that even if the album was crap. Which most TT loyalists say it is. It's not ballad-y and sweet and grand - which is typically Take That. It's edgy and raw, experimental and kind of angry but without really being pretentious, which I like. It has a lot of Robbie (who doesn't really sound as good as he once did), and Mark (who has a scary voice, quite honestly), but when they come together, they kind of make it work. Gary, surprisingly has taken a backseat - but I think he's too smart to really become a wallflower. I was watching the documentary, Look Back don't Stare (which I recommend very very strongly), and you know this album wouldn't have happened without the genius of Gary Barlow and Stuart Price. The dude made the album happen, and his leadership skills have certainly improved from the last time Robbie was around.

Their hitmaker is probably going to be The Flood, the first single that they chose to release. The video is cheesy and weird - but the song is pretty epic. Great dance beats and I dare you not to hum neurotically days after you hear it. The chorus nails it - the rest of it is well, meh. Mark and Robbie get to vent a lot - political, personal turmoil all spews out in SOS and Kidz - both pretty intense, catchy tracks. You'll never believe you are listening to Take That if you hear Happy Now or even Pretty Things for that matter. Raspy, trippy, Scissor Sister-ish even. Fucking wow. But the best song is undoubtedly Eight Letters, a ballad sung by Gary (who else?) and written by Robbie - probably the best track in the album. It's clearly autobiographical, very poignant - and the fact that Gary sings it (and he sings it very very well) makes it even more special. I'll admit I've missed Gary's voice in the album, because he is a stronger singer - and can hold a tune better - but still, it's good to see the group pulling their own weights for a change. The result is a quirky, original album, not dominated by one theme or mood or voice. It's deliciously unpredictable and has Fuck You written all over it. They don't care - these five are making music after a long time, and actually enjoying it for a change.